創作內容
【彩夢芭蕾│翻譯】06年Ushicon活動訪談伊藤郁子老師和一些趣事（四）Do you have a favorite dance from the series?她覺得這題很難答，她必須思考一下，經過一番思考，她回答，動畫尾聲最後幾支舞中非華亞與小鴨的雙人舞莫屬。
She felt this was a hard question, and she had to think about it for a
while, after some thought she answered that it would have to be one of the
last dances in the series when Fakir and Ahiru dance together.
Is it possible for Ahiru to turn back into a girl?老師沒有給明確的答案。她提到粉絲腦補改編的各種結局超越了原作（根據上述提到的大家的創作，我感受到她喜歡這個開放式結局）。不過，她的確有說，小鴨變回女孩不排除這個可能。
Itoh-san was somewhat vague on this answer. She spoke of how with the
current ending the fans themselves imagine possible varying outcomes beyond
the end of the series. (I got the sense that she liked this open-endedness
for that very reason.) However, she did say that the POSSIBILITY of such a
thing occurring was not ruled out.
Is this what you envisioned for the end? Is there anything you would want是的，她很滿意《彩夢》的主軸以及製程動畫。《彩夢》呈現了她想說出的故事。
to change, or add?
Yes, she's very happy with the theme of the show and it's execution in the
animated series. The series does represent the story she wanted to tell.
(While this was her answer for this question, if you look at the responses
below you do see that there were a few other things she would have wanted.)
In the series, Myth has been built as a major character from the beginning,她很遺憾播映日期逼近，他們沒有足夠的時間畫好結局。她很感動製作組長時間投入心力製作，每個人聽到「殺青！」，卻還想做更多，懇求著希望能多給些時間讓他們完成。但是，現實仍不允許。
but at the end of the series he seems to depart rather abruptly. Why?
She does regret that as they approached broadcast date for the end of the
series that they were running out of time. She was moved because everyone
on the production staff was working long and hard, and it got to the point
you had to say "time's up!" and everyone on the staff wanted to do more, to
get just one more thing done would beg so earnestly for just a little bit
longer. But they just couldn't do that.
She really had wanted more time to better portray Myth's departure. She had
this speech she really wanted for him to say, that would have made his
reasonings far more clear, and thus the departure not as abrupt as it
seemed. (We couldn't get the specifics of the speech from Itoh-san as we
ran out of time, but perhaps her answer to the next question may in part
apply to this question?)
Claire was a very complicated character. Was she truly an innocent caught老師花了些時間思考這個問題，她回答克蕾爾有顆受傷的心（從這可推出她在這故事與現實交錯的世界是無辜的受害者），而有人必須幫她療傷（這有可能跟米道結局說的其中一段話有關嗎？唉，我們大概不會得到答案，不過，解釋之間的關連性的確很有理）。
up in something beyond her control? Or was she not so innocent to begin
with and thus tainted from the very beginning?
Itoh-san took some time thinking about this question and eventually
answered that Claire has a wounded heart (and thus the implication can be
inferred that she was an innocent victim in surreal circumstances) and that
someone needs to help her heal. (Could this be part of what Myth's speech
would have revealed? Alas, we may never know! But it does seem to be a
reasonable correlation!).
Will there ever be a sequel?老師表示她想繼續下去，不過，會是新的故事，也可能是番外篇。有人問會是以什麼為前提的故事......她不願回答也不想透露。接著的問題是「能不能至少告訴我們，會是以哪個或哪些腳色為中心的故事嗎？」，她很清楚地回答：華亞與小鴨。
Itoh-san expressed that she would like for there to be more, but for it to
be a new-story, or a spin-off. When asked for what the premise of this
would be... she did not want to answer as she does not want to give that
away. A follow-up question was asked, "could you at least tell us what
character or characters the story would revolve around?", to which she
answered quite clearly: Fakir & Ahiru. (Which I think ties in nicely to her
answer that the POSSIBILITY has not been ruled out for Ahiru to become a
girl again at the end of the series.)
Itoh-san said that in Japan it might be difficult to see more of Tutu made.
But perhaps if a U.S. production company became interested in it, that we
might see more.
Are you working on any new projects currently?她有個新的企劃會在秋天播映。那個消息會在下個月三月才會在日本公開，而Ushicon可能第一個得到新作釋出的消息。她正開始為新作《後天的方向》角色設定。新作的主軸是日本文化（《彩夢芭蕾》的主軸是芭蕾舞和所有人的故事）。有人問能否再說更詳細，她拒絕回答，並露出神秘的笑容表示這是「禁止事項」(註)。
She has a new project that should broadcast in the fall. That the
announcement won't even be made in Japan until this coming March, and that
Ushicon may be the first time news of the new series has been announced.
She has just begun character designs for a new series with a working title
of "The Day After Tomorrow." The new work involves as a theme, Japanese
Culture (in the way that Princess Tutu has a theme of ballet and their
stories). When asked if she could be more specific, she declined to answer,
saying everything beyond that will remain a secret for now with an
enigmatic smile on her face.
同標籤作品搜尋：彩夢芭蕾|伊藤郁子|Ushicon|訪談|06年Ushicon活動訪談伊藤郁子老師和一些趣事
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